Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.


This is the most adorable thing you may see all day.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.


"We're not doing my original songs," Rhiannon Giddens says, before she and her partner, Francesco Turrisi, launch into an old spiritual, "'cause with these kinds of emotions, the old songs say it best."

Lankum's journey from Ireland to the Tiny Desk was a wild and bumpy adventure. First, visa problems forced them to cancel their late February date. A week later, much of the world is more worried about COVID-19, though daily patterns here hadn't changed. They arrived in New York, hopped in their van to Washington, D.C., only to have that break down.

Jon Batiste came to the Tiny Desk with some surprises back in November of 2019. Midway through his set, he stopped to say, "it's the first time we're ever playing these songs, and it's the first time we're playing together." The New Orleans musician came to the Tiny Desk not with his late-night house band, but with an all-new cast. His all-female collaborators — Endea Owens on acoustic bass, Negah Santos on percussion, Sarah Thawer on drums, and Celisse Henderson on guitar and vocals — were an inspiration.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

_______________________________________________________________

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.


"Hello, this is Ben Gibbard, welcome to Tiny Desk, Seattle style."

Jesca Hoop last appeared at the Tiny Desk as a duet with Sam Beam (Iron & Wine) in the spring of 2016. They sang songs from their collaborative record Love Letters For Fire. This time around, Jesca Hoop came to the Tiny Desk with just her guitars, her lovely voice, and brilliant poetic songs. She has a magical way with words, and she opened her set with "Pegasi," a beautiful song about the wild ride that is love, from her 2017 album Memories Are Now.

Arthur Moon came to the Tiny Desk armed with tiny keyboards, some toys, and (spoiler alert) a roll of aluminum foil. This band, the project of singer Lora-Faye Åshuvud has the quirky freshness I first heard from New York artists such as Laurie Anderson and Talking Heads in the late 1970s and more recently with Dirty Projectors. It comes off in the starkness of the sound, a spaciousness that leaves room for me to hear the storytelling in the songs, but always surprising me with aural delights.

So much magic unfolded in such short order. Within the first moments of Taimane's stunning set, we hear her play fiery flamenco, a famous phrase from the opera Carmen, a touch of Bach and more than a nod to her Hawaiian homeland, all on her ukulele.

We've never had an original Mellotron at the Tiny Desk until now. Much like a Hammond organ, it's big, heavy and fragile. When they fired it up, with all its mechanical gears turning tape loops and moving play heads, the 15-year-old geek in me blissed out.

The Mellotron was a magical 1960s invention that predates sampling. It's a keyboard instrument, with each piano key triggering a tape loop — the sound could be a string ensemble, a flamenco guitar, a saxophone and so much more. Think about the flute sounds on The Beatles' song "Strawberry Fields Forever" and you get the idea.

I asked everyone to gather a little closer than usual around my desk for this one.

Having seen Jenny Lewis' recent concert spectacle, with its Las Vegas sparkle — complete with a multi-level stage — I loved the contrast her Tiny Desk Concert provided.

Jenny arrived at NPR with just her acoustic guitar and bandmates Emily Elbert, who sang and played guitar, and Anna Butterss on upright bass and vocals. Stripped of all the glitz, it was the words that found their way to my heart. A consummate storyteller, going as far back to her days with her band Rilo Kiley, Jenny's words have comforted and inspired so many.

Watching Elisapie perform, her intensity is undeniable. I feel it in her gaze, in her deep, soulful bellow. Elisapie is a Canadian singer and songwriter born in Salluit, on the northern tip of Quebec. Her lyrics, most often sung in her native Inuktitut as well as English and French, touch on her life as an adopted child and on meeting her biological mother. Now, as a mother herself, she sings about what it must have meant to her own mother to give up her child. Elisapie left her birth-village, Salluit, as a teenager and headed to Montreal, leaving her community and her sick mom.

It was supposed to be so simple. Laura Stevenson, a singer-songwriter whose new material radiates warm intensity, would come in and knock us out with an intimate acoustic solo set performed behind Bob Boilen's desk. So I came to Bob with the idea, expecting a fast-track to the light-lift Laura Stevenson Tiny Desk concert of our dreams.

Rising Appalachia's Tiny Desk Concert is charged with the roots music that sisters Leah Song and Chloe Smith learned in fiddle camps as kids. Growing up in urban Atlanta and beyond, they also heard rhythms from a wider world, and their music grew to reflect new sounds and their activism.

J.S. Ondara's journey to the Tiny Desk is a fascinating one. From his home in Nairobi, he listened on his sister's radio to American artists, including Nirvana, Jeff Buckley, Death Cab For Cutie and, most importantly, Bob Dylan. He wanted to be a folk singer, so he moved to Minnesota, Dylan's home state.

I've got to wonder just what Daniel Norgren remembers of his performance at the Tiny Desk. For almost the entirety of his blissful performance, the bluesy Swedish musician kept his eyes tightly shut, as he seemed to tap into old souls to help conjure his tunes. He and his band play music steeped in American roots music, and his delivery recalls the way the Irish singer Van Morrison voices his soulful sounds.

Pages