Linda Holmes

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MARY LOUISE KELLY, HOST:

In the pandemic era, the Emmy Awards are not the first major event that can't be a traditional shindig, but they're perhaps the most high-profile awards show so far to attempt quite this kind of socially distanced, mask-wearing, virtual ceremony. Host Jimmy Kimmel and everyone producing the broadcast had a pretty tough hill to climb in making it watchable.

And surprisingly enough, it was. It wasn't just watchable; it was ... pretty good.

The streaming service Quibi — short for "quick bites" — calls itself "the first entertainment platform designed specifically for your phone."

Translation: They're doling out their shows in 7-to-10-minute chunks — er, episodes — at a rate of one per day. Quick bites, get it? Perfect for the busy, distracted, on-the-go consumer! Too bad none of us are on-the-going anywhere these days.

Quibi divides its shows into three categories: Movies in Chapters (read: serialized narrative), Unscripted and Documentaries (read: episodic nonfiction) and Daily Essentials.

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AILSA CHANG, HOST:

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At Sunday's Oscars, on a night when almost everything went as planned and as usual, the one true surprise came in the biggest moment of all.

Endings are sad, but without them, nothing matters.

That was only one of the lessons of the thoughtful, emotional finale of NBC's The Good Place, which itself ended after four seasons and only 52 episodes. But, as the show itself stressed in its last couple of installments, heaven is not continuing forever: It's leaving at the right time, when you've done your work. When you're ready.

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SCOTT SIMON, HOST:

The headline out of this morning's Oscar nominations could have been newness. There was the arrival of Netflix's two best picture contenders (Marriage Story with six nominations and The Irishman with 10). There was the huge showing for Bong Joon-ho's remarkable Parasite (six nominations) out of South Korea, the extraordinarily rare foreign-language film to make the leap to best picture and the first from South Korea.

We have this conversation every year, but that doesn't mean it's not true: It's hard to know what to make of the Golden Globes telecast. We — and by "we" I mean most awards show watchers — hold a few truths to be self-evident: that the Globes are silly, that it's nice to see people be praised for good work and that the Globes (like most awards, unfortunately) do a pretty terrible job of rewarding people who do good work in an equitable way, which means even deserved wins can feel bittersweet.

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AUDIE CORNISH, HOST:

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AUDIE CORNISH, HOST:

It's time to talk about "Cats."

(SOUNDBITE OF SONG, "JELLICLE SONGS FOR JELLICLE CATS")

UNIDENTIFIED ACTORS: (Singing) Jellicle songs for jellicle cats, jellicle songs for jellicle cats.

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NOEL KING, HOST:

The Hallmark Channel is in a bit of a mess over an ad campaign for Zola, which is a wedding planning website. The channel recently aired this ad.

(SOUNDBITE OF ARCHIVED RECORDING)

The rapid ascent of Netflix as a creator of film and television continued Monday morning as the streaming service placed four films in the Golden Globes' 10 best motion picture contenders in comedy and drama. But the Hollywood Foreign Press Association rewarded established directors like Quentin Tarantino, too, while continuing its legendarily wacky devotion to some of its favorite celebrities.

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NOEL KING, HOST:

It is hopefully clear that a review and discussion of the Succession season two finale is not suitable for people who do not want to be spoiled regarding the Succession season two finale. If it is not clear: You will know what happened on this episode by the time you're finished reading this piece. Choose wisely.

If you predicted that creator-actor Phoebe Waller-Bridge would be a big winner going into Sunday night's Emmy Awards, you might just have won your Emmys pool. And if you were predicting a giant final haul of Game of Thrones trophies as that show leaves us for good, you were, well, sort of right.

It's an old tradition that endures, even amid the year-round deluge of programming brought to us by the age of streaming. It is the fall TV preview.

Turns out fall is the perfect time to refocus on television after a summer filled with vacations and outdoor distractions. So our pop culture team collected the coolest TV shows coming your way over the next few months as a guide through the madness. We haven't seen all of these programs yet, but we've learned enough to know they're worth checking out.

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RACHEL MARTIN, HOST:

You about ready for some joy? Yeah, let's bring the joy.

(SOUNDBITE OF FILM, "THE MUPPET MOVIE")

JIM HENSON: (As Kermit the Frog, singing) Why are there so many songs about rainbows and what's on the other side?

The Muppet Movie is 40 now. And I could tell you that this makes me feel old, but it doesn't. It oddly makes me feel just right. The music has been with me from when I was little until right now, and I can still listen to it and discover new things. How could you not? It has "Rainbow Connection" in it.

Maybe you have opera jokes. We did.

When the Pop Culture Happy Hour team planned a trip to the Metropolitan Opera in New York, we grudgingly served up to each other our dusty old gags about Bugs Bunny and helmets with horns and Pretty Woman and ... have we left anything out?

We chose to see Rigoletto, precisely because it's a classic. It's real, hardcore actual opera. We didn't want to be reluctant, or to insist that opera come meet us where we were. We wanted to dive in. All jokes aside, we really did want the opera experience.

The 17th season of Project Runway concluded Thursday night, handing the win to Sebastian Grey.

It was the show's first run without Heidi Klum and Tim Gunn, who reigned while Runway ran on Bravo and then on Lifetime. Back on Bravo now, it features model Karlie Kloss in the host role and designer (and former Project Runway winner) Christian Siriano in the mentor role.

Broadway has changed a lot in the last few years, and in an important way: We've cleared the period of time when everything seemed to be about Hamilton, and then about post-Hamilton, and then about whether there could ever be another Hamilton. (There won't.) Broadway had another big year for box office, it's learning how to use social media to connect with younger audiences — whatever the next phase is, it seems that it's started.

Oh, hello, it's a romantic comedy!

Avengers: Endgame is the culmination of a hugely profitable series of films that began with Iron Man in 2008. It makes sense that the opening weekend of the concluding chapter — which also happens to be a very good movie with a 96 percent critics' rating on Rotten Tomatoes — would make a lot of money. But if there's a place in box office coverage for "whoa, Nellie" anymore, it is perhaps here. And so let us say: Whoa, Nellie.

"Bringing a unicorn here is not an easy or inexpensive endeavor. You have to be the right sort of girl."

The right sort of girl.

Old stuff spoiler alert: This piece discusses the plot of Jordan Peele's Get Out and the plots of a handful of old Twilight Zone episodes, but doesn't spoil episodes from the new run that debuts Monday.

What is the scariest thing you can imagine?

Reality TV Roundup

Mar 9, 2019

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MICHEL MARTIN, HOST:

It turns out the Oscars telecast doesn't need a host.

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DAVID GREENE, HOST:

Four years ago, a Japanese organizing consultant published a book that was called "The Life Changing Magic Of Tidying Up."

(SOUNDBITE OF TV SHOW, "TIDYING UP WITH MARIE KONDO")

MARIE KONDO: Hello. I'm Marie Kondo.

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