Stephen Thompson

Hometown: Milwaukee, Wisconsin

Genre: Americana

Why We're Excited: At first, Dead Horses' songs can sound like simple back-porch roots music. But Sarah Vos and Daniel Wolff dig deeper than that, enriching their material with evocative, empathetic storytelling. Inspired in part by a difficult childhood — Vos grew up in a strict religious household, only to see her family expelled from its church when she was a teenager — Dead Horses' songs find her searching for meaning and connection.

Hometown: Düsseldorf, Germany

Genre: Dance

Why We're Excited: Gato Preto's sound is insistent to the point of relentlessness: The globetrotting band piles on layer upon layer of percussion — traditional and electronic — while brandishing earworms like bazookas. Between the feast of rhythm and the wild Afro-futuristic garb, Gato Preto doesn't just put on a show; it makes a scene.

SXSW Schedule:

Hometown: Brooklyn, New York

Genre: Afropop

Why We're Excited: Born in Sudan and based in Brooklyn, with other stops along the way, Alsarah is used to fusing the sounds and styles of disparate cultures. As leader of Alsarah & The Nubatones, she accurately describes her approach as "East African Retro-Pop" — a lavish, joyful, era-spanning sound full of Arabic-language reflections on identity and survival. It's modern and nostalgic, timeless and new.

SXSW Schedule:

Hometown: Los Angeles, California

Genre: Rock

Why We're Excited: Sego's "Whatever Forever" unpacks the inner monologue of a frenetic and frustrated mind: Bored and anxious, singer Spencer Petersen rambles and seethes over a throbbing bassline until it's time for a soaring chorus that feels both chaotic and cathartic.

Hometown: Brooklyn, New York

Genre: Americana

Why We're Excited: Buck Meek is best known as the lead guitarist and cofounder of Big Thief, but he's also got a nice, low-key side gig going as a solo artist. On his own, he rambles and twangs through conversational, countrified, vividly detailed stories of wanderers, lost souls and dreamers.

SXSW Schedule:

Hometown: Melbourne, Australia

Genre: Rock

Why We're Excited: Australian singer-songwriter Jess Ribeiro got her start playing country music, but on 2015's Kill It Yourself, she steered toward a sparer, more haunting sound. On that album's tremendous title track, Ribeiro crafts a solemn bit of timeless country-noir that would have been perfectly suited to those Bang Bang Bar spots on the latest iteration of Twin Peaks.

SXSW Schedule:

Hometown: Brooklyn, New York

Genre: Indie Rock

Why We're Excited: Nassau's songs drift along with moody grace, propelled by clean, fluid guitar lines and an overarching vibe of calm contentment. But listen closely to "Whatever Brings You Peace of Mind," and you'll hear a note of melancholy and unrequited want — a bittersweet mix that haunts as it soothes. Fans of Noah and the Whale's The First Days of Spring, take note.

SXSW Schedule:

Hometown: Silsbee, Texas

Genre: Indie Rock

Why We're Excited: In Lomelda, singer-songwriter Hannah Read reflects on isolation and distance, but there's nothing remote about her music. If anything, she seems compelled to pull listeners ever closer; to share sung secrets amid some of the most intoxicating liquid guitar lines you'll hear this year.

SXSW Schedule:

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

When The Decemberists release I'll Be Your Girl on March 16, it'll be the band's eighth album — part of a 17-year career that's taken listeners through everything from wry folk to ambitious rock opera. If I'll Be Your Girl's first single is any indication, Colin Meloy and his band have used their new record as an opportunity to try new things and hit a few reset buttons along the way.

In the years since his Oscar-winning work with Marketa Irglova, Glen Hansard has re-positioned himself as a restrained balladeer, releasing a pair of solo albums (Rhythm And Repose and Didn't He Ramble) that double down on the singer's sweet side. But Hansard has also spent a couple decades as lead singer of The Frames, an Irish rock band with loads of anthemic fire in its belly.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Tom Petty wrote a lot of hits during his more than 40 years making music.

(SOUNDBITE OF SONG, "AMERICAN GIRL")

TOM PETTY: (Singing) Well, she was an American girl.

(SOUNDBITE OF SONG, "REFUGEE")

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

KELLY MCEVERS, HOST:

And now a goodbye to the Warped Tour.

(SOUNDBITE OF SONG, "THE ROCK SHOW")

BLINK-182: (Singing) I couldn't wait for the summer and the Warped Tour. I remember it's the first time that I saw her there.

November means different weather to different places, so it's presumptuous to assume that everyone is looking forward to an evening spent bundled up in front of the fireplace with a pile of fleece blankets and a cup of hot cocoa. But if you want to simulate the spirit of a cozy November night, you could do far worse than "Winter," the tenderly rendered new single from Irish singer-songwriter Rosie Carney.

The audience for Hanson's first Tiny Desk concert could be cleanly sorted into two distinct camps: the curious and the committed.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

The Lone Bellow's earnest and magnetic folk-pop was built to shake the rafters: It's hooky and rousing and performed with absolute commitment. It has been since the beginning, from the band's charming, self-titled 2013 debut through the Aaron Dessner-produced Then Came The Morning two years later. And, if a new song called "Time's Always Leaving" is any indication, it'll carry on through the release of The Lone Bellow's third album, Walk Into A Storm.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Musicians cover each other's songs often enough that the results rarely qualify as news. But covering a whole album, song for song? That's a labor of love ambitious enough to warrant attention.

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