Tom Huizenga

Tom Huizenga is a producer for NPR Music. He contributes a wide range of stories about classical music to NPR's news programs and is the classical music reviewer for All Things Considered. He appears regularly on NPR Music podcasts and founded NPR's classical music blog Deceptive Cadence in 2010.

Joining NPR in 1999, Huizenga produced, wrote and edited NPR's Peabody Award-winning daily classical music show Performance Today and the programs SymphonyCast and World of Opera.

He's produced live radio broadcasts from the Kennedy Center and other venues, including New York's (Le) Poisson Rouge, where he created NPR's first classical music webcast featuring the Emerson String Quartet.

As a video producer, Huizenga has created some of NPR Music's noteworthy music documentaries in New York. He brought mezzo-soprano Joyce DiDonato to the historic Stonewall Inn in Greenwich Village, placed tenor Lawrence Brownlee and pianist Jason Moran inside an active crypt at a historic church in Harlem, and invited composer Philip Glass to a Chinatown loft to discuss music with Devonté Hynes (aka Blood Orange).

He has also written and produced radio specials, such as A Choral Christmas With Stile Antico, broadcast on stations around the country.

Prior to NPR, Huizenga served as music director for NPR member station KRWG, in Las Cruces, New Mexico, and taught in the journalism department at New Mexico State University.

Born in Grand Rapids, Michigan, Huizenga's radio career began at the University of Michigan, where he produced and hosted a broad range of radio programs at Ann Arbor's WCBN-FM. He holds a B.A. from the University of Michigan in English literature and ethnomusicology.

Krzysztof Penderecki, one of the world's leading composers, died Sunday at the age of 86. The Polish Ministry of Affairs announced his passing in a tweet. No cause of death was given.

The Polish-born composer established himself while still in his 20s with jarring atonal works such as Threnody to the Victims of Hiroshima, and came to be widely admired by music fans and musicians far outside traditional classical music circles.

When Víkingur Ólafsson was about 5 years old, he already knew what he wanted to be. "It sounds crazy, but I always saw myself as a concert pianist," he says. "Even if I wasn't a good pianist."

YouTube

Twenty seconds of hand washing. 60 to 90 percent alcohol. Five to 12 (14? 21?) days of incubation until the dry cough comes.

Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers are defined by a single monster hit, and explains why their catalogs have much more to offer.

In this edition, NPR's classical producer Tom Huizenga makes the case for the charming, danceable St. Paul's Suite by Gustav Holst, who's best known for his symphonic juggernaut called The Planets.

The last time pianist Kirill Gerstein was at NPR we gave him a full-size, grand piano to play in a big recording studio. But for this Tiny Desk performance, we scaled him down to our trusty upright. "What will you ask me to play the next time," he quipped, "a toy piano?"

Plácido Domingo, who began singing at London's Royal Opera House in 1971, will not be performing with the company in scheduled performances this summer, according to a statement provided to NPR Friday morning.

"The Royal Opera House and Maestro ‪Plácido Domingo have mutually decided that he will withdraw from the Royal Opera House's upcoming performances of Don Carlo in July 2020," it reads in part.

Sometimes old recipes, newly tweaked, can yield astonishing results. Consider the concerto: It might be a 400-year-old formula, calling for a soloist to perform with — and often battle against — an orchestra. But occasionally, a brand new concerto arrives that offers old-fashioned thrills.

Peter Serkin, a pianist who navigated a distinctive course through classical music with thoughtful interpretations of both standard repertoire and bracing new compositions, died Saturday morning at his home in Red Hook, N.Y. at age 72.

The cause of death, announced by his family, was pancreatic cancer.

Serkin came from a prestigious family of musicians. His father, the celebrated pianist Rudolf Serkin, and his maternal grandfather, the violinist and conductor Adolf Busch, embodied old-world traditions — to reverential acclaim.

We've been starting this new year off with genres of music you might not listen to, or that you say you're not a fan of — so far, we've covered jazz, country and deep house.

Half way through this performance of Max Richter's achingly beautiful On The Nature Of Daylight, I looked around our NPR Music office and saw trembling chins and tearful eyes. Rarely have I seen so many Tiny Desk audience members moved in this way. There's something about Max Richter's music that triggers deep emotions.

Harriet Tubman may be the best-known conductor of the Underground Railroad, but a new album highlights another key figure: William Still, who helped nearly 800 enslaved African Americans escape to freedom in the years before the Civil War.

When opera star Joyce DiDonato told us she wanted to sing centuries-old Italian love songs at the Tiny Desk we weren't surprised. But when she said she was bringing a jazz band to back her up, we did a double take. But that's Joyce, always taking risks. After all, the last time we filmed the down-to-earth diva, she insisted on singing an opera aria at the Stonewall Inn, the iconic gay tavern in Greenwich Village.

After the ferociously talented harpist Bridget Kibbey unpacked her 47-stringed instrument at our NPR Music offices, she proceeded to crush the stereotype of the genteel harp, plucked by angels. She proved that the instrument can be as tempestuous as a tango, as complex as a Bach fugue and sing as serenely as a church choir.

Kibbey is crazy for the harp. She first heard one at a country church amid the Northwest Ohio cornfields where she grew up. Now she's the go-to harpist for contemporary composers, some of whom who are writing pieces especially for her.

Adrianne Lenker is the guitarist and singer for the Brooklyn, N.Y.-based rock band Big Thief. Cecilia Bartoli is the Italian opera singer who thrives on neglected repertoire from the 18th century. The two women might seem like strange bedfellows, but they come together in our series titled "highly specific superlatives," a kind of drilling down to some of the finest and most precise moments in the arts in 2019.

Traditions worth saving still need need practitioners and advocates who are willing to propel them forward. Classical music boasts a long, rich history — about 1000 years — of transformation, adaptation, tumult and triumph. From radical, boundary-bashing composers to brave and bold interpreters, the music has remained vibrantly alive even as prognosticators routinely forecast its demise.

Cecilia Bartoli isn't your average opera star. She doesn't sing many of the popular 19th century operas. Instead, she prefers to explore the dusty, little-known corners of the 18th century.

Bartoli's new album is devoted to music written for a single artist of the Baroque era named Farinelli. He was the most acclaimed opera singer of the mid-1700s, the rock star of his day, singing some of the most virtuosic music ever written for the human voice.

When Russian-born pianist Igor Levit dropped in to play Beethoven at the Tiny Desk, he admitted he was – even after four cups of coffee – "still in my time zone change." A little jet-lagged, he had flown in from Berlin the night before and hopped an early train from New York to Washington, D.C.

In a career – and personal life – loaded with enough drama to fuel an opera, Kanye West is finally presenting one. Or at least that's what he tweeted Sunday, announcing a performance of Nebuchadnezzar, "A Kanye West Opera" at the Hollywood Bowl on Nov. 24.

Caroline Shaw sings her own song, "And So," with the Attacca Quartet.

The Baltimore Symphony Orchestra is back. Orchestra officials and musicians held a joint news conference Monday, on stage at Meyerhoff Symphony Hall, to announce the ratification of a one-year contract that effectively ends a 16-week showdown between the two groups.

"I'm thrilled that an agreement has been reached," BSO music director Marin Alsop said in a statement announcing the new contract, "and that we will have our musicians back on stage to open our 104th season beginning on Friday night."

Composer Christopher Rouse, who once called himself a writer of "fast and furious" music and who taught courses in the history of rock, died Saturday of complications of renal cancer at age 70.

When the first enslaved Africans landed on American shores in 1619, their musical traditions landed with them. Four centuries later, the primacy of African American music is indisputable, not only in this country but in much of the world. How that music has evolved, blending with or giving rise to other traditions — from African songs and dances to field hollers and spirituals, from ragtime and blues to jazz, R&B and hip-hop — is a topic of endless discussion.

With a season-opening concert slated for Saturday, Baltimore Symphony Orchestra musicians and its management are still locking horns over details of a new contract agreement. A bargaining session ended Monday night with no resolution, only a set of last minute proposals from management which players will vote on Tuesday night.

Julia Wolfe might be called America's "labor documentarian," but she's not making movies. She's composing music.

Controversy has seemed to follow pianist Ivo Pogorelich at every move, even from the beginning. In 1980, when the 22-year-old whiz kid from Yugoslavia failed to reach the final round of the International Chopin Competition, the revered pianist Martha Argerich, who declared him a "genius," stormed off the jury in protest. Naturally, the dustup helped launch his career. With a brooding pout, movie star looks and a high-powered record deal, Pogorelich was an instant celebrity.

It's not every day someone walks into our NPR Music offices and unpacks an instrument made in 1680. And yet Kian Soltani, the 27-year-old cellist who plays with the authority and poetry of someone twice his age, isn't exactly fazed by his rare Giovanni Grancino cello, which produces large, luminous tones. (He also plays a Stradivarius.)

And if you think the notion of a cello recital isn't exactly sexy or thrilling, just take a look at Soltani; he radiates joy and ingenuity as he performs three pieces that offer virtuosity, sweet lyricism and fire.

Augustin Hadelich's latest album of violin concertos offers two unlikely bedfellows. The tuneful, romantic classic by Johannes Brahms bumps up against the modernist mayhem of György Ligeti. The album, titled simply Brahms, Ligeti: Violin Concertos, also proves to be a compelling introduction to one of today's best, but still undervalued, violinists.

NPR Classical

Jun 20, 2019

Updated March 19, 2020: As J.S. Bach's (335th) birthday approaches, we've added a dozen tracks by the master to the playlist from artists such as Yo-Yo Ma, Lorraine Hunt Lieberson, Jeremy Denk, Jordi Savall and Simone Dinnerstein. Bach's music, with its sturdy construction and poignant melodies, offers safe haven in uncertain times.

Updated on Jun. 17 at 11:41 a.m.

Baltimore Symphony Orchestra (BSO) musicians, carrying signs reading "Fair Play for World Class Musicians," have begun picketing in front of their artistic home, Joseph Meyerhoff Symphony Hall, as the orchestra's management has locked out its players.

Pages