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An award-winning show and one of public radio's most iconic programs, Fresh Air is a weekday "talk show" that hardly fits the mold. Fresh Air Weekend collects the week's best cultural segments and crafts them together for great weekend listening. The show is produced by WHYY.

Fresh Air opens the window on contemporary arts and issues with guests from worlds as diverse as literature and economics. Terry Gross is known for her extraordinary ability to engage guests of all dispositions.

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TERRY GROSS, HOST:

This is FRESH AIR. "Jazz From Detroit" is the title of a new book by journalist and critic Mark Stryker, who spent a couple of decades covering jazz and its people in that city. Our jazz critic Kevin Whitehead says Stryker looks at Detroiters who made their mark in the larger world and a few who stayed behind. Here's Kevin's review.

(SOUNDBITE OF JAMES CARTER'S "FREE AND EASY")

KEVIN WHITEHEAD, BYLINE: Saxophonist James Carter at Baker's Keyboard Lounge in Detroit in 2001.

It's pretty rare for a writer to produce a novel that wins the Pulitzer Prize and the National Book Award and, then, a scant three years later, bring out another novel that's even more extraordinary. But, that's what Colson Whitehead has done in following up his 2016 novel, The Underground Railroad, with The Nickel Boys.

When TV critic Emily Nussbaum was growing up in the '70s, she says television wasn't something to be analyzed, criticized and picked apart.

"Even people who loved to watch TV would put it down," she recalls. "It was considered, at best, a kind of delicious-but-bad-for-you treat, and, at worst, more like chain-smoking, like something you did by yourself that messed up your brain."

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Yiddish 'Fiddler On The Roof' Is A 'Dream Come True' For Lead Actor: A new Yiddish language production of the musical is currently running off-Broadway. Steven Skybell, who plays Tevye, and Joel Grey, who directs the show, explain why the play still resonates.

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

DAVE DAVIES, HOST:

This is FRESH AIR. I'm Dave Davies, in for Terry Gross. Although President Trump was forced by the courts a year ago to end his administration's policy of separating migrant children from their parents at the U.S.-Mexico border, recent reports from the border have described hundreds of children, teens and toddlers being held in squalid conditions at a Border Patrol station in Clint, Texas.

The Farewell opens with five cheeky words: "based on an actual lie." This funny, melancholy ensemble drama was inspired by an experience that the writer-director Lulu Wang and her family went through years ago, when they were told that Wang's grandmother was terminally ill. They decided to keep her in the dark about her diagnosis, hoping to spare her unnecessary fear and anxiety — an extreme decision, perhaps, but one that the movie suggests is hardly unheard of among Chinese families.

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross.

(SOUNDBITE OF MUSIC)

GROSS: If you know the show "Fiddler On The Roof," this music will sound familiar. But these lyrics won't.

(SOUNDBITE OF MUSIC)

UNIDENTIFIED ACTORS: (Singing in Yiddish).

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. The Supreme Court handed down two decisions at the end of their session last month that could have a big impact on the outcome of elections in the States. The court ruled it had no power to intervene when states use partisan gerrymandering to draw maps for electoral districts, saying it was an issue for state legislatures and state courts. And in a related case, the court ruled that the Trump administration could not add a citizenship question to the census.

Jessup Collins wants out. The main character of Alexi Zentner's tough new novel, Copperhead, Jessup is a 17-year-old high school football star with a decent shot at getting a college scholarship. That scholarship is essential because Jessup, his mom and his kid sister live paycheck-to-paycheck in a trailer on the outskirts of an upstate New York town that sounds a lot like Ithaca.

In 2015, Travis Rieder, a medical bioethicist with Johns Hopkins University's Berman Institute of Bioethics, was involved in a motorcycle accident that crushed his left foot. In the months that followed, he underwent six different surgeries as doctors struggled first to save his foot and then to reconstruct it.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

DAVID BIANCULLI, HOST:

This is FRESH AIR. I'm David Bianculli, editor of the website TV Worth Watching, sitting in for Terry Gross. Our guest is Willie Nelson, who at age 86, has a summer tour and a new album. We'll listen back to two of Terry's conversations with Willie Nelson, but let's start with our rock critic Ken Tucker and his review of Willie Nelson's new album. It's called "Ride Me Back Home," and Ken says Nelson sounds vigorous and upbeat on an album about aging and the passage of time.

(SOUNDBITE OF SONG, "COME ON TIME")

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. On this July Fourth, we're going to play back one of our favorite recent interviews, which also got a big response from listeners. It's the interview I recorded in May with Lizzo.

(SOUNDBITE OF SONG, "EXACTLY HOW I FEEL")

LIZZO: (Singing) That's exactly how I feel. That's exactly how I feel. That's exactly how I feel. I woke up this morning...

Sarah Jessica Parker has spent much of her acting career exploring what it means to be in a relationship — and to be single. In the HBO series Sex and the City, which ran from 1998 until 2004, she played Carrie Bradshaw, a single writer chronicling her experiences with the Manhattan dating scene. Now, in the HBO comedy series, Divorce, she stars as Frances, a mother of two navigating the dissolution of her marriage.

In the viscerally unnerving films of Ari Aster, there's nothing more horrific than the reality of human grief. His haunted-house thriller, Hereditary, followed a family rocked by traumas so devastating that the eventual scenes of devil-worshipping naked boogeymen almost came as a relief. Aster's new movie, Midsommar, doesn't pack quite as terrifying a knockout punch, but it casts its own weirdly hypnotic spell.

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. In the days following the 1986 explosion in the Chernobyl nuclear reactor, a military officer working to manage the response from an abandoned hotel nearby noticed a mysterious black carpet in the empty dining hall. When he got closer, he realized it was not a carpet; it was thousands of flies, alive but immobilized by the radiation in the air. That's one of the details you'll find in the book "Midnight In Chernobyl" by our guest, journalist Adam Higginbotham.

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

On June 30, the Showtime network launches a new TV miniseries called The Loudest Voice. Based on the Gabriel Sherman book The Loudest Voice in the Room, it's a seven-part drama about the television triumphs and controversies of Roger Ailes, who created and ran the Fox News Channel.

DAVID BIANCULLI, HOST:

Algorithms were around for a very long time before the public paid them any notice.

I'll say this much for the breezy but dispiriting musical romance Yesterday: It has a clever conceit that it doesn't make the mistake of trying to explain. What explanation could there be for how The Beatles suddenly vanished from history, leaving behind only one lonely fan who remembers some of the greatest rock 'n' roll songs ever written? Like a lot of surreal comic fantasies, the movie just invites you to shrug and go along with its cheerfully ridiculous premise.

In the 1980s, Tracy Edwards dreamed of racing a sailboat around the world. But at the time, open ocean sailboat racing was a male-dominated sport. She was only able to sign on as a cook for an all-male team in the 1985-86 Whitbread Round the World Race, a grueling 33,000 mile endeavor.

Afterward, when she still wasn't able to crew, she decided to take matters into her own hands: "My mom always told me, 'If you don't like the way the world looks, change it,'" she says. "So I thought, OK, I will."

Today, antiretroviral medicines allow people with HIV, the virus that causes AIDS, to live long, productive lives. But at the onset of the AIDS epidemic in the early 1980s, the disease was considered a death sentence. No one was sure what caused it or how it was spread. Some doctors and nurses refused to treat patients with the disease; others protected themselves by wearing full body suits.

In the semi-autobiographical Hulu series Ramy, comic Ramy Youssef plays a first-generation Muslim American who follows some — but not all — of the rules of his religion. Youssef, whose parents immigrated from Egypt, also co-created the series. He says he can relate to his character's "picking and choosing" approach to his faith.

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