American Art

Our guest on ST is Susan Neal, the Executive Director of Gilcrease Museum and the Helmerich Center for American Research here in Tulsa. Gilcrease Museum, as was recently announced, will be closing its doors at the end of its business day on July 4th. The museum's current structure will then be demolished, with construction of a new museum (on the same site) to follow. As Neal explains, construction of the new museum facility will begin in early 2022 and is expected to take 2 or 3 years. (More details are posted here.)

Serae Avance (American, b. 1993). Knowledge and Struggle, 2021. Digital pigment print. Courtesy of the artist. Copyright Serae Avance.

On this installment of ST, we learn about a show that recently opened at Philbrook Museum of Art here in Tulsa. "From the Limitations of Now" will be on view through September 5th.

Our guest on StudioTulsa is Carolyn Sickles, the Executive Director of Tulsa Artist Fellowship, or TAF, which is an arts-and-community-focused project of the George Kaiser Family Foundation. The TAF recently announced that it has given 22 of its fellows an Arts Integration Award for 2020-2021, which is meant to help these artists further their involvement with (and presence within) the Tulsa community via new works, new series, and so on. The award includes a $25,000 stipend, $10,000 in project resources, and also free living and work spaces.

The poet Dick Gallup, who grew up in Tulsa and came to prominence in the New York City literary scene of the 1960s and '70s alongside his friends and fellow Tulsans Ron Padgett, Joe Brainard, and Ted Berrigan, died last month at his home in San Francisco. He was 79. Gallup was a part of the so-called "New York School" of poets, publishing books of poetry and a play. He taught writing workshops, gave numerous readings, and taught poetry writing to schoolchildren in New York, New Jersey, Connecticut, Colorado, Virginia, South Carolina, and North Carolina.

ARTWORK BY FRED VILLANUEVA (via ahhatulsa.org)

Our guest is the Dallas-based artist Fred Villanueva, whose exhibition titled "The Trayectorias" (or "the trajectory," or "the path") is on view at ahha in downtown Tulsa through February 21st. This show, per the ahha website, "presents past artistic explorations that Villanueva has re-mixed to create new paintings, drawings, and installations.

On this edition of ST, we chat with artist and Living Arts of Tulsa board member Tina Henley, who is the curator for an interesting group show now on view at Living Arts called "Project Hope, Unity, and Compassion." On view through the 22nd, it is a collection of large-scale artworks which were created on plywood last summer by various artists, and which were then used to cover store-fronts, windows, and buildings in advance of the Trump rally at the BOK Center.

"The Students Five" by Blackwell, Courtesy Hiromi Katayama & Joe Goode (This photo also appeared in the OU Daily.)

On this edition of ST, we profile a novel and interesting group exhibit now on view at the Fred Jones Jr. Museum of Art on the OU campus in Norman; "OK/LA" is up through March 7th of 2021. As per the museum's website: "This exhibition features the work of six former Oklahomans who left the state in the late 1950s for Los Angeles: Patrick Blackwell, Joe Goode, Jerry McMillan, Ed Ruscha, Paul Ruscha, and Mason Williams. Blackwell, Goode, McMillan, and Ed Ruscha studied at the Chouinard Art Institute....

"Yankton Sioux, 1837" by Gina Adams. (Hand-cut calico letters on antique quilt.) 91.5”H x 72.5”W, 2014. Posted at [www.ginaadamsartist.com/broken-treaty-quilts].

Our guest on ST is Gina Adams, a contemporary hybrid artist based in Vancouver, British Columbia. She joins us to discuss her striking and ongoing series of Broken Treaty Quilts. A descendant of both Indigenous Peoples (the Ojibwe tribe) and colonial Americans, Adams re-purposes antique quilts in order to create art works documenting the various treaties broken by the United States with Native American tribes over the years.

We are pleased to welcome Mark Dolph back to StudioTulsa. He's Curator of History at Gilcrease Museum here in Tulsa. He tells us about an exciting new exhibition at that museum presenting the work of Shan Goshorn, the late Tulsa-area artist.

Gardiner Gallery of Art at Oklahoma State University / OSU DEPARTMENT OF ART, GRAPHIC DESIGN, AND ART HISTORY

Who actually designed Tulsa's iconic Boston Avenue Methodist Church, that widely celebrated art deco structure within the city's skyline which was completed in 1929? Many architecture experts will tell you it was the well-known Tulsa architect Bruce Goff...but was it? Our guest on ST is Teresa Holder, the manager of the Gardiner Gallery at OSU in Stillwater.

Our guest is Christina Burke, the Curator of Native American and Non-Western Art at Philbrook Museum of Art here in Tulsa. She tells us about an exciting new show at the museum, "Hearts of Our People: Native Women Artists," which is now on view for members only -- and which will open to the public on Wednesday the 7th. As noted the Philbrook website: "Women have long been the creative force behind Native art.

Photo by Melissa Lukenbaugh

Update:  Statement from the University of Tulsa School of Art, Design, and Art History

The gallery is open to TU Students, Faculty, and Staff Only and is Not Open to the Public.

While we are not open to the public, please join us Thursdays in September at the University of Tulsa School of Art, Design, and Art History Facebook and Instagram pages for special virtual programs and highlights.  

Image courtesy Andy Arkley.

On this edition of ST, we learn about THE EXPERIENCE: IMAGINE, which is a newly created group exhibition opening today (Friday the 7th) at ahha Tulsa. It's a rather Outer Space (or Sci-Fi, or Other Worldly) type of show that, per the ahha website, features "large-scale, semi-permanent, interactive art. When you visit THE EXPERIENCE: IMAGINE, you will explore zones designed and built by one of six Tulsa-based artists. Each has different interactive elements.

Our guest is the well-known, New York-based graphic artist, Luba Lukova. Her bold, accessible images have appeared in The New York Times, Time, and other leading publications, and her prints and posters are also in the permanent collections of the Museum of Modern Art, the Denver Art Museum, and the Library of Congress. She is currently a J. Donald Feagin Visiting Artist here at TU, and an exhibit of her socially-aware work, "Luba Lukova: Designing Justice," will soon go on view at the Henry Zarrow Center for Art & Education in downtown Tulsa.

Our guest is Bridget Quinn, a writer, art history scholar, and educator based in San Francisco. She joins us to discuss her 2017 book, "Broad Strokes: 15 Women Who Made Art and Made History." Quinn will deliver a sold-out "Women Who Changed Art" lecture tonight (Friday the 28th) at Philbrook Museum -- and that lecture will be based, in large part, on this book.

Our guest is Susan Neal, Executive Director of Gilcrease Museum, which recently announced that its current facility will be not just refurbished or remodeled but, indeed, entirely rebuilt. The museum announced over the weekend that its current building will be demolished, and that a new structure will be erected in its place. As Neal expalins, Gilcrease has been added to -- and/or expanded upon -- several times over the years. The oldest parts of the museum date back to 1913; the newest building in the Gilcrease complex dates from the 1980s.

The nonprofit Oklahoma Visual Arts Coalition, or OVAC, which began in 1988, actively supports visual artists living and working throughout Oklahoma. On this edition of ST, we learn about a new OVAC show on view at ahha Tulsa -- it's a triennial exhibition called Concept, and it will be on display through March 22nd. Our guests are Sarah Ahmad, and artist whose work appears in this show, and Krystle Brewer, the executive director of OVAC.

Samella Lewis "Field"
Gregory Staley

The Gilcrease Museum opened a new exhibition of African-American art collected by two ordinary people who created an extraordinary collection of artwork. Kerry Davis was a postman, and his wife, Betty, was a local television producer, but the two collected close to 300 works by black artists ranging from local artists in their hometown of Atlanta, Georgia, to internationally known artists, like Jacob Lawrence, Romare Bearden, Sam Gilliam, Elizabeth Catlett, Alma Thomas, and Norman Lewis.

On this edition of ST, we present another installment in our ongoing Museum Confidential podcast series, which is created twice a month by our own Scott Gregory and Philbrook Museum's Jeff Martin.

Edward Hopper Was Here

Nov 22, 2019

The name "Edward Hopper" is almost synonymous with loneliness. Hotels and motels play a central role in Hopper’s art. EDWARD HOPPER AND THE AMERICAN HOTEL recently opened at the Virginia Museum of Fine Arts in Richmond. It's the first in-depth look at this side of Hopper’s work and features a recreated room based on Hopper’s “Western Motel.” The space serves as a fully functional hotel room. On this episode of MC, we chat with the show’s curator, Dr. Leo Mazow.

On this edition of ST, we learn about two 2019 Ruth Mayo Memorial Distinguished Visiting Artists here at TU, the painters Gideon Bok and Meghan Brady. They're based in Maine, and they also happen to be married. And their duo exhibit, "Being There," will open this evening (the 7th) at a special lecture/reception at the Alexandre Hogue Gallery on the TU campus. More info is poste here.

Our program today explores the work of Jave Yoshimoto, a visual artist and educator born in Japan to Chinese parents who immigrated to California at a young age. A recent Tulsa Artist Fellowship alum as well as a recipient of a Joan Mitchell Foundation Painter's and Sculptor's grant, Yoshimoto now has a show at the Living Arts of Tulsa gallery, which he tells us about.

Photo by Dorothea Lange, Migrant Mother, Nipomo, California, 1936.

On this installment of ST, we learn about a new photography show at Gilcrease dedicated to the work of Dorothea Lange (1895-1965) and her peers. (The exhibit is on view through January 5, 2020.) Per the Gilcrease website, Lange's "empathetic images documented the toll that the Depression took on the nation. The evidence was seen in the long lines of desperate, jobless men, migrant workers searching for work, and impoverished families living in squalid conditions.

On this edition of ST, we hear about an Oklahoma Visual Arts Coalition (or OVAC) program that supports young professionals interested in a career as a curator, an art critic, an arts-based journalist, or the like. Through its Oklahoma Art Writing & Curatorial Fellowsship, OVAC has helped several individuals hone their writing and/or curatorial skills, which has culminated in a special "Curatorial Lab" series of exhibits happening at the Henry Zarrow Center for Art & Education in downtown Tulsa.

Our guests on this edition of ST are Laura Fry, Senior Curator of the Gilcrease Museum here in Tulsa, and Carolyn Sickles, Executive Dirtector of the Tulsa Artist Fellowship. These two outstanding, arts-based organizations are now jointly offering "Recall/Respond," a contemporary arts exhibition that presents work by current Tulsa Artist Fellows as well as TAF alumni.

Many of us living here in Oklahoma -- and indeed, living all over the nation -- are today both pleased and proud to affirm that Joy Harjo, the much-celebrated, 68-year-old writer and musician based in Tulsa, was recently named by the Library of Congress as the 23rd Poet Laureate of the United States. A member of the Muscogee Creek Nation, Harjo is the first Native person to be selected for this honorable role. On this edition of StudioTulsa, we listen back to a conversation that we aired with Harjo in 2012, when her well-regarded memoir, "Crazy Brave," had just appeared.

StudioTulsa today offers another edition of the popular Museum Confidential podcast, which is co-created twice a month by our own Scott Gregory with Jeff Martin of Philbrook Museum of Art. Recently, Scott and Jeff trekked down to the Big Easy to offer a "live & onstage" presentation of Museum Confidential as part of the American Alliance of Museums (AAM) annual meeting. Their guest was Don Wildman, host of the long-running Travel Channel show, "Mysteries at the Museum."

On this edition of ST, we're talking about two newly-opened photography shows, both on view in Tulsa at the Philbrook Downtown space through November 10th of this year. One exhibit documents a forgotten people; the other, a forgotten landscape.

StudioTulsa today offers another installment in the ongoing Museum Confidential podcast series, which is a popular collaboration between Public Radio Tulsa and Philbrook Museum of Art. This particular podcast -- taped before a "live" audience back in January -- explores what it actually means to be a curator with Philbrook Museum of Art Chief Curator Catherine Whitney and Gilcrease Museum Senior Curator Laura Fry. Also featuring special cameos by comedian Pete Holmes, "exit" signs, and the National Mustard Museum....

Our guest on this edition of StudioTulsa is Michael Chaiken, curator of the Tulsa-based Bob Dylan Archive (and of the forthcoming, in 2021, Bob Dylan Center). He tells us about an art exhibit that he recently assembled which is now on view at the Gilcrease Museum: "Bob Dylan: Face Value and Beyond" is on display through September 15th.

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