Art

On this edition of our program, we learn about the 2021 Art 365 program from the nonprofit Oklahoma Visual Arts Coalition (OVAC). The artists whose work appears in this very competitive year-long program were chosen by guest curator, Grace Deveney, the associate curator of Prospect.5 in New Orleans. She's our guest today, along with Alexa Goetzinger, the associate director of OVAC. The artists selected for this year's OVAC 365 exhibit are Ginnie Baer (Edmond), Crystal Z.

Photo via 108 Contemporary

On this edition of ST, we learn about a soon-to-open exhibition at 108 Contemporary Gallery in downtown Tulsa; "A Luthier's Tale: The Craft of Stringed Instruments" will be on view from July 2nd through September 19th. Our guest is Benjamin Liggett, a luthier (i.e., a maker of stringed instruments) based here in Tulsa who's also the guest curator for this show. Per the 108 Contemporary website, this exhibit is "dedicated to the art, craft, and design of stringed instruments.

The Greenwood Art Project had a public unveiling today as it continues to highlight artwork made in recognition of the 1921 Tulsa Race Massacre.

Posters were on display at a site called "Steps to Nowhere." The area used to be a neighboorhood but is now empty. 

GAP features over 25 artists who want to add some culture to events in the coming days.

Lead artist Rick Lowe said a mix of pieces over a span of days was decided on to provoke dialogue.

Courtesy

Greenwood Cultural Center and Gathering Place are now hosting exhibits from one of the world’s foremost Black art and history collections.

Bernard and Shirley Kinsey started the Kinsey African American Art and History Collection in an effort to help their son, Khalil, learn Black history he wasn’t being taught in school — and that they couldn’t fill the gaps in, either. The collection of more than 700 artifacts dates back to the 16th Century and shows thriving, successful Black cultures existed around the globe before many were forced to integrate into other societies.

Matt Trotter / KWGS

The City of Tulsa hosted a dedication Friday for new public art at the Cox Business Convention Center.

Andrew Ramiro Tirado’s "Highlight" stretches across the steps of the new plaza on the building’s east entrance.

It consists of a two-prong plug that looks a lot like the Blue Dome building and symbolizes Tulsa’s past; an electrical cord fashioned from bent, blue metal that symbolizes the present as the link from past to future;  and a yellow light bulb that can be illuminated.

Tulsa Arts Commission Chair Holbrook Lawson tied "Highlight" into Tirado’s other works.

Serae Avance (American, b. 1993). Knowledge and Struggle, 2021. Digital pigment print. Courtesy of the artist. Copyright Serae Avance.

On this installment of ST, we learn about a show that recently opened at Philbrook Museum of Art here in Tulsa. "From the Limitations of Now" will be on view through September 5th.

Our guest on StudioTulsa is Carolyn Sickles, the Executive Director of Tulsa Artist Fellowship, or TAF, which is an arts-and-community-focused project of the George Kaiser Family Foundation. The TAF recently announced that it has given 22 of its fellows an Arts Integration Award for 2020-2021, which is meant to help these artists further their involvement with (and presence within) the Tulsa community via new works, new series, and so on. The award includes a $25,000 stipend, $10,000 in project resources, and also free living and work spaces.

ARTWORK BY FRED VILLANUEVA (via ahhatulsa.org)

Our guest is the Dallas-based artist Fred Villanueva, whose exhibition titled "The Trayectorias" (or "the trajectory," or "the path") is on view at ahha in downtown Tulsa through February 21st. This show, per the ahha website, "presents past artistic explorations that Villanueva has re-mixed to create new paintings, drawings, and installations.

On this edition of ST, we chat with artist and Living Arts of Tulsa board member Tina Henley, who is the curator for an interesting group show now on view at Living Arts called "Project Hope, Unity, and Compassion." On view through the 22nd, it is a collection of large-scale artworks which were created on plywood last summer by various artists, and which were then used to cover store-fronts, windows, and buildings in advance of the Trump rally at the BOK Center.

"The Students Five" by Blackwell, Courtesy Hiromi Katayama & Joe Goode (This photo also appeared in the OU Daily.)

On this edition of ST, we profile a novel and interesting group exhibit now on view at the Fred Jones Jr. Museum of Art on the OU campus in Norman; "OK/LA" is up through March 7th of 2021. As per the museum's website: "This exhibition features the work of six former Oklahomans who left the state in the late 1950s for Los Angeles: Patrick Blackwell, Joe Goode, Jerry McMillan, Ed Ruscha, Paul Ruscha, and Mason Williams. Blackwell, Goode, McMillan, and Ed Ruscha studied at the Chouinard Art Institute....

"Yankton Sioux, 1837" by Gina Adams. (Hand-cut calico letters on antique quilt.) 91.5”H x 72.5”W, 2014. Posted at [www.ginaadamsartist.com/broken-treaty-quilts].

Our guest on ST is Gina Adams, a contemporary hybrid artist based in Vancouver, British Columbia. She joins us to discuss her striking and ongoing series of Broken Treaty Quilts. A descendant of both Indigenous Peoples (the Ojibwe tribe) and colonial Americans, Adams re-purposes antique quilts in order to create art works documenting the various treaties broken by the United States with Native American tribes over the years.

We are pleased to welcome Mark Dolph back to StudioTulsa. He's Curator of History at Gilcrease Museum here in Tulsa. He tells us about an exciting new exhibition at that museum presenting the work of Shan Goshorn, the late Tulsa-area artist.

Gardiner Gallery of Art at Oklahoma State University / OSU DEPARTMENT OF ART, GRAPHIC DESIGN, AND ART HISTORY

Who actually designed Tulsa's iconic Boston Avenue Methodist Church, that widely celebrated art deco structure within the city's skyline which was completed in 1929? Many architecture experts will tell you it was the well-known Tulsa architect Bruce Goff...but was it? Our guest on ST is Teresa Holder, the manager of the Gardiner Gallery at OSU in Stillwater.

Our guest is Christina Burke, the Curator of Native American and Non-Western Art at Philbrook Museum of Art here in Tulsa. She tells us about an exciting new show at the museum, "Hearts of Our People: Native Women Artists," which is now on view for members only -- and which will open to the public on Wednesday the 7th. As noted the Philbrook website: "Women have long been the creative force behind Native art.

Photo by Melissa Lukenbaugh

Update:  Statement from the University of Tulsa School of Art, Design, and Art History

The gallery is open to TU Students, Faculty, and Staff Only and is Not Open to the Public.

While we are not open to the public, please join us Thursdays in September at the University of Tulsa School of Art, Design, and Art History Facebook and Instagram pages for special virtual programs and highlights.  

Image courtesy Andy Arkley.

On this edition of ST, we learn about THE EXPERIENCE: IMAGINE, which is a newly created group exhibition opening today (Friday the 7th) at ahha Tulsa. It's a rather Outer Space (or Sci-Fi, or Other Worldly) type of show that, per the ahha website, features "large-scale, semi-permanent, interactive art. When you visit THE EXPERIENCE: IMAGINE, you will explore zones designed and built by one of six Tulsa-based artists. Each has different interactive elements.

On this installment of ST, we share a Museum Confidential podcast from our archives that feels especially timely, given what's going these days across the nation and, indeed, all over the world. The podcast episode is from the fall of 2018, when we spoke with Dr. David Pilgrim, founder and curator of the Jim Crow Museum of Racist Memorabilia at Ferris State University in Michigan. This museum was born out of his personal collection, one that began decades ago, when Dr. Pilgrim was growing up in Alabama. Also on our program, commentator Mark Darrah offers "The Next Bus to Nome."

On this edition of ST, we present another installment in our Museum Confidential podcast series, which is a popular co-production of Public Radio Tulsa and Philbrook Museum of Art. This time out, MC speaks with longtime NYC-museum veteran Christine Coulson, who worked at The Met for a quarter of a century in a variety of roles. She left a couple of years ago to write full-time, and now comes her widely acclaimed and rather experimental debut novel: "Metropolitan Stories."

Our guest is the well-known, New York-based graphic artist, Luba Lukova. Her bold, accessible images have appeared in The New York Times, Time, and other leading publications, and her prints and posters are also in the permanent collections of the Museum of Modern Art, the Denver Art Museum, and the Library of Congress. She is currently a J. Donald Feagin Visiting Artist here at TU, and an exhibit of her socially-aware work, "Luba Lukova: Designing Justice," will soon go on view at the Henry Zarrow Center for Art & Education in downtown Tulsa.

Our guest is Bridget Quinn, a writer, art history scholar, and educator based in San Francisco. She joins us to discuss her 2017 book, "Broad Strokes: 15 Women Who Made Art and Made History." Quinn will deliver a sold-out "Women Who Changed Art" lecture tonight (Friday the 28th) at Philbrook Museum -- and that lecture will be based, in large part, on this book.

Our guest is Susan Neal, Executive Director of Gilcrease Museum, which recently announced that its current facility will be not just refurbished or remodeled but, indeed, entirely rebuilt. The museum announced over the weekend that its current building will be demolished, and that a new structure will be erected in its place. As Neal expalins, Gilcrease has been added to -- and/or expanded upon -- several times over the years. The oldest parts of the museum date back to 1913; the newest building in the Gilcrease complex dates from the 1980s.

The nonprofit Oklahoma Visual Arts Coalition, or OVAC, which began in 1988, actively supports visual artists living and working throughout Oklahoma. On this edition of ST, we learn about a new OVAC show on view at ahha Tulsa -- it's a triennial exhibition called Concept, and it will be on display through March 22nd. Our guests are Sarah Ahmad, and artist whose work appears in this show, and Krystle Brewer, the executive director of OVAC.

On this edition of StudioTulsa, we offer another edition of the popular Museum Confidential podcast, which is co-created twice a month by Jeff Martin with Philbrook Museum and Scott Gregory with Public Radio Tulsa. This time around, MC looks back to May of 2018, when -- at Christie's in Hong Kong -- an 18th-century Chinese vase owned by Philbrook sold for $14.5 million. MC sets out to learn the full story behind this potentially controversial sale.

On this edition of ST, we present another installment in our ongoing Museum Confidential podcast series, which is created twice a month by our own Scott Gregory and Philbrook Museum's Jeff Martin.

Edward Hopper Was Here

Nov 22, 2019

The name "Edward Hopper" is almost synonymous with loneliness. Hotels and motels play a central role in Hopper’s art. EDWARD HOPPER AND THE AMERICAN HOTEL recently opened at the Virginia Museum of Fine Arts in Richmond. It's the first in-depth look at this side of Hopper’s work and features a recreated room based on Hopper’s “Western Motel.” The space serves as a fully functional hotel room. On this episode of MC, we chat with the show’s curator, Dr. Leo Mazow.

On this edition of ST, we present a new installmwent in our popular Museum Confidential podcast series (which just began its third season). This time out, we learn about a **new** book from Dr. Seuss, which is just out, and which is based on an unfinished collection of notes and sketches that the brillitant children's book author and illustrator (who died in 1991) left behind in a drawer. The book, called "The Horse Museum," is a love letter to museums as well as a primer on art history.

Our program today explores the work of Jave Yoshimoto, a visual artist and educator born in Japan to Chinese parents who immigrated to California at a young age. A recent Tulsa Artist Fellowship alum as well as a recipient of a Joan Mitchell Foundation Painter's and Sculptor's grant, Yoshimoto now has a show at the Living Arts of Tulsa gallery, which he tells us about.

Photo by Dorothea Lange, Migrant Mother, Nipomo, California, 1936.

On this installment of ST, we learn about a new photography show at Gilcrease dedicated to the work of Dorothea Lange (1895-1965) and her peers. (The exhibit is on view through January 5, 2020.) Per the Gilcrease website, Lange's "empathetic images documented the toll that the Depression took on the nation. The evidence was seen in the long lines of desperate, jobless men, migrant workers searching for work, and impoverished families living in squalid conditions.

On this edition of ST, we hear about an Oklahoma Visual Arts Coalition (or OVAC) program that supports young professionals interested in a career as a curator, an art critic, an arts-based journalist, or the like. Through its Oklahoma Art Writing & Curatorial Fellowsship, OVAC has helped several individuals hone their writing and/or curatorial skills, which has culminated in a special "Curatorial Lab" series of exhibits happening at the Henry Zarrow Center for Art & Education in downtown Tulsa.

Our guest is Susan Green, a curator at Philbrook Museum of Art here in Tulsa. She's the local curator for a traveling show now at Philbrook's main campus -- "Wondrous Worlds: Art & Islam Through Time & Place" will be on view through October 6th. Per the Philbrook website, it is "the most extensive exhibition of Islamic art to be shown in Oklahoma, [and it] represents over 1,200 years of rich artistic creation, illustrating the great geographic expanse of the Islamic world.

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