Greenwood Cultural Center

Chris Polansky / KWGS News

It's he-said-they-said between Tulsa Mayor G.T. Bynum and key stakeholders in the Greenwood District, as the conflict continues over whether or not the unauthorized "BLACK LIVES MATTER" mural on Greenwood Avenue can remain.

Chris Polansky / KWGS

An assemblage of faith communities met at the Greenwood Cultural Center on Monday morning for a rally and march to Tulsa City Hall to demand an end to police violence, the latest such event following the brutal, caught-on-camera killing of George Floyd, an unarmed Black man, at the hands of Minneapolis police officers.

A crowd of an estimated 200 people carried signs in support of Black Americans and the Black Lives Matter movement, and were joined and led in prayer and song by leaders of Jewish, Catholic, Muslim, AME, and other Christian denominations. 

Courtesy

A history center being built by the 1921 Tulsa Race Massacre Centennial Commission has a new home.

After talks to build the Greenwood Rising History Center on the grounds of the Greenwood Cultural Center fell through earlier this month, the Centennial Commission announced Tuesday it will now go up on the southeast corner of Greenwood Avenue and Archer Street, the gateway to the Greenwood District.

Greenwood Chamber of Commece

A Tulsa nonprofit that maintains the historic neighborhood known as "Black Wall Street" has been awarded a $500,000 federal grant.

On this edition of StudioTulsa, we get to know Ricco Wright, who owns and operates the nonprofit Black Wall Street Gallery, a recently created art space on Greenwood Avenue. After Wright graduated from Union High School, he studied mathematics as a Bill Gates Scholar at Langston University. Thereafter he earned a doctorate in math at Columbia University, after which he lived and worked in New York City for a decade. As Wright tells us, his own passion for the arts -- visual, musical, verbal, and otherwise -- flourished considerably while he was based in NYC.

Photo by Don Thompson

On this installment of StudioTulsa, we chat with the noted photographer Don Thompson, who's been documenting the people and places of north Tulsa for more than 40 years now. His photos have been shown at local galleries, are on permanent display at OSU-Tulsa, and were recently added to the National Museum of African American History and Culture in Washington, DC.

On this edition of ST, we learn about the Unity Heritage Neighborhoods Design Workshop, a program to create designs, plans, and visions for future development in neighborhoods immediately north of downtown Tulsa. These include the Brady Heights Historic District, Emerson Elementary, Greenwood, and the Evans-Fintube site. Throughout the fall, the Notre Dame University Graduate Design Studio has been viewing the landscape and speaking with community stakeholders on how they want the neighborhood to look and feel as they develop their design ideas.

On this edition of StudioTulsa, we listen back to a discussion that originally aired in February of last year. At that time, we spoke with Julia Clifford, the director of a documentary film called "Children of the Civil Rights." This film tells the little-known yet true story of a group of schoolchildren in Oklahoma City who -- for nearly six years -- staged Civil Rights-era sit-ins at various diners and lunch counters in OKC. These protests began in 1958, more than a year before the far more familiar Greensboro, North Carolina, sit-ins occurred.