Museums

On this installment of StudioTulsa, we are pleased to share Episode 1 of Season 6 of the Museum Confidential podcast, which is a co-production of Philbrook Museum of Art and Public Radio Tulsa. (Season 6 just launched earlier this month.) This episode begins with a few basic yet far-reaching questions. What is an "outsider artist"? And do we even call them that anymore? In recent years, the term has shifted to "self-taught artist." Sounds different, but does it mean the same thing? And what about "folk art" -- when does this term apply? We chat with Dr.

The long-awaited "Smithsonian Anthology of Hip-Hop and Rap" just dropped. The box set includes 129 tracks on 9 CDs, plus a hefty 300–page book with original design by Cey Adams, the acclaimed artist and founding creative director of Def Jam Recordings. From his early days as a subway-graffiti whiz alongside Keith Haring and Jean-Michel Basquiat to designing classic album covers for Beastie Boys, LL Cool J, and many others, Adams has long been at the epicenter of hip-hop culture. He spoke to us from his studio in New York City.

Our guest on ST is Susan Neal, the Executive Director of Gilcrease Museum and the Helmerich Center for American Research here in Tulsa. Gilcrease Museum, as was recently announced, will be closing its doors at the end of its business day on July 4th. The museum's current structure will then be demolished, with construction of a new museum (on the same site) to follow. As Neal explains, construction of the new museum facility will begin in early 2022 and is expected to take 2 or 3 years. (More details are posted here.)

Our guest is Christina Burke, the Curator of Native American and Non-Western Art at Philbrook Museum of Art here in Tulsa. She tells us about an exciting new show at the museum, "Hearts of Our People: Native Women Artists," which is now on view for members only -- and which will open to the public on Wednesday the 7th. As noted the Philbrook website: "Women have long been the creative force behind Native art.

Image courtesy Andy Arkley.

On this edition of ST, we learn about THE EXPERIENCE: IMAGINE, which is a newly created group exhibition opening today (Friday the 7th) at ahha Tulsa. It's a rather Outer Space (or Sci-Fi, or Other Worldly) type of show that, per the ahha website, features "large-scale, semi-permanent, interactive art. When you visit THE EXPERIENCE: IMAGINE, you will explore zones designed and built by one of six Tulsa-based artists. Each has different interactive elements.

On this installment of ST, we share a Museum Confidential podcast from our archives that feels especially timely, given what's going these days across the nation and, indeed, all over the world. The podcast episode is from the fall of 2018, when we spoke with Dr. David Pilgrim, founder and curator of the Jim Crow Museum of Racist Memorabilia at Ferris State University in Michigan. This museum was born out of his personal collection, one that began decades ago, when Dr. Pilgrim was growing up in Alabama. Also on our program, commentator Mark Darrah offers "The Next Bus to Nome."

On this edition of ST, we present another installment in our Museum Confidential podcast series, which is a popular co-production of Public Radio Tulsa and Philbrook Museum of Art. This time out, MC speaks with longtime NYC-museum veteran Christine Coulson, who worked at The Met for a quarter of a century in a variety of roles. She left a couple of years ago to write full-time, and now comes her widely acclaimed and rather experimental debut novel: "Metropolitan Stories."

The Scientific Method

Mar 13, 2020

Art museums actually account for less than 5% of all American museums. More than half of our museums fall into the history category. And while science and technology museums barely make up 1% of the overall industry, they host millions of annual visitors. On this episode of MC, we travel to the Perot Museum of Nature and Science in Dallas to look at the why and how of these museums.

On this edition of StudioTulsa, we offer another edition of the popular Museum Confidential podcast, which is co-created twice a month by Jeff Martin with Philbrook Museum and Scott Gregory with Public Radio Tulsa. This time around, MC looks back to May of 2018, when -- at Christie's in Hong Kong -- an 18th-century Chinese vase owned by Philbrook sold for $14.5 million. MC sets out to learn the full story behind this potentially controversial sale.

On this edition of ST, we present another installment in our ongoing Museum Confidential podcast series, which is created twice a month by our own Scott Gregory and Philbrook Museum's Jeff Martin.

On this edition of ST, we present a new installmwent in our popular Museum Confidential podcast series (which just began its third season). This time out, we learn about a **new** book from Dr. Seuss, which is just out, and which is based on an unfinished collection of notes and sketches that the brillitant children's book author and illustrator (who died in 1991) left behind in a drawer. The book, called "The Horse Museum," is a love letter to museums as well as a primer on art history.

Wikipedia

During our summer break, we headed down to Atlanta to interview the hip-hop artist and activist, Killer Mike. He's known widely for his work with Run The Jewels, but this trip was to talk about museums. Specifically, Atlanta’s High Museum of Art. A little over a year ago, Mike became a board member at The High. We wanted to check in and see how it's going. We also welcome High Museum Director Rand Suffolk. (Recorded at the studios of Atlanta public radio station WABE.)

On this edition of ST, we hear about an Oklahoma Visual Arts Coalition (or OVAC) program that supports young professionals interested in a career as a curator, an art critic, an arts-based journalist, or the like. Through its Oklahoma Art Writing & Curatorial Fellowsship, OVAC has helped several individuals hone their writing and/or curatorial skills, which has culminated in a special "Curatorial Lab" series of exhibits happening at the Henry Zarrow Center for Art & Education in downtown Tulsa.

Our guest is Susan Green, a curator at Philbrook Museum of Art here in Tulsa. She's the local curator for a traveling show now at Philbrook's main campus -- "Wondrous Worlds: Art & Islam Through Time & Place" will be on view through October 6th. Per the Philbrook website, it is "the most extensive exhibition of Islamic art to be shown in Oklahoma, [and it] represents over 1,200 years of rich artistic creation, illustrating the great geographic expanse of the Islamic world.

"Babe Ruth's Final Farewell" -- Nathaniel Fein, New York Herald Tribune, June 13, 1948, New York, N.Y.; Nathaniel Fein/New York Herald Tribune/Nat Fein Estate.

On this edition of ST, we learn about "Pulitzer Prize Photographs," a moving and far-ranging show on view through July 14th at Tulsa's Gilcrease Museum (and on loan from the Newseum in Washington, DC). Per the Gilcrease wesbite, this exhibtion "brings history to life with the most comprehensive collection of Pulitzer Prize-winning photographs ever assembled, with images of every prize-winning entry dating back to 1942, when the award was first presented.

StudioTulsa today offers another edition of the popular Museum Confidential podcast, which is co-created twice a month by our own Scott Gregory with Jeff Martin of Philbrook Museum of Art. Recently, Scott and Jeff trekked down to the Big Easy to offer a "live & onstage" presentation of Museum Confidential as part of the American Alliance of Museums (AAM) annual meeting. Their guest was Don Wildman, host of the long-running Travel Channel show, "Mysteries at the Museum."

StudioTulsa today offers another installment in the ongoing Museum Confidential podcast series, which is a popular collaboration between Public Radio Tulsa and Philbrook Museum of Art. This particular podcast -- taped before a "live" audience back in January -- explores what it actually means to be a curator with Philbrook Museum of Art Chief Curator Catherine Whitney and Gilcrease Museum Senior Curator Laura Fry. Also featuring special cameos by comedian Pete Holmes, "exit" signs, and the National Mustard Museum....

On this edition of StudioTulsa, we offer another episode of our twice-monthly Museum Confidential podcast (which is co-created by Jeff Martin with Philbrook Museum of Art and our own Scott Gregory). This time out, MC speaks with Graham Boettcher, Director of the Birmingham Museum of Art in Birmingham, Alabama. Boettcher has recently been looking at that museum's troubling Jim Crow-era policies, which occurred in the first dozen years of its existence.

THE FIELD MUSEUM (CHICAGO)

On this edition of ST, we offer another installment in our ongoing, twice-monthly Museum Confidential podcast series. Question: What is a museums supposed to do when it has WAY too much stuff? Whereas you yourself might take a few carloads of personal surplus to Goodwill, or maybe just set up a yard sale, museums don't have that luxury. Sometimes they end up building costly expansions just to contain the overflow.

On this edition of ST, we present another installment in our twice-monthly Museum Confidential podcast series, which is co-created by Jeff Martin of Philbrook Museum and our own Scott Gregory. This time around, MC is exploring art conservation. It's sort like of a magic trick. But when you look closer, art conservation isn't magical at all -- it's careful, delicate, methodical wortk. And it's about very talented people using skills and techniques passed down over generations alongside cutting-edge technology.

On this edition of StudioTulsa, we chat with artist Joel Daniel Phillips, who is currently a Tulsa Artist Fellow. A California native, he tells us about his new show, "It Felt Like the Future Was Now," which is on view at Philbrook Downtown through May 19th. Per the Philbrook Downtown website: "Phillips chooses images charged with history. The labor, both physical and emotional, needed to create his graphite drawings is part of what draws the viewer into the work.

Our guest is Catherine Whitney, the Chief Curator and Curator of American Art at Philbrook Musuem of Art here in Tulsa. She tells us about a just-opened, far-reaching exhibit at Philbrook, curated by herself, called "Making Modern America." Featuring 60+ paintings, photographs, design objects, and prints -- and on view through May 26th -- this show explores how U.S. artists working from 1910 to 1960 depicted the dramatic social and environmental changes of this pivotal era.

On this edition of ST, an in-depth chat with Scott Hurst, a longtime artist on the Tulsa scene who will soon present a new exhibition of his work at the Liggett Studio in downtown Tulsa (at 314 So. Kenosha). "Playtime > Discoveries" will feature paintings, collages, and prints that Hurst has created over the past 30 years or so -- many (but not all) of them in the abstract mode. The show opens on Friday the 8th and runs through March 2nd; more info is posted at LiggettStudio.com.

Gilcrease Museum

Our guest is Susan Neal, the executive director of Gilcrease Museum here in Tulsa. It was recently announced that Gilcrease is now gathering applications from architectural firms seeking to execute the renovation, redesign, and expansion of the museum.

Lenny Lives! Our guest on StudioTulsa is Bob Santelli, the founding executive director of the Los Angeles-based GRAMMY Museum. That museum is currently presenting a special new (traveling) exhibit here in Tulsa at two different venues: "Leonard Bernstein at 100" is on view at both the Sherwin Miller Museum of Jewish Art and the Woody Guthrie Center. It closes at each of these locations on April 29th.

On this episode of StudioTulsa, we offer another installment in our ongoing series of Museum Confidential podcasts, which are created twice a month by Jeff Martin of Philbrook Museum and our own Scott Gregroy. This time out, we learn about The Underground Musuem in Los Angeles, which was founded just a few years ago and has grown considerably in terms of recognition, reputation, influence, and importance. Indeed, it continues to grow in all of these ways. Our guest is the director of this museum, Megan Steinman.

On this edition of ST, we offer another Museum Confidential podcast (which is a podcast co-created twice monthly by our own Scott Gregory and Jeff Martin of Philbrook Museum). This time around, Museum Confidential speaks with author Mary Gabriel about her new and much-praised group biography, which digs deeply into the post-WII New York art world.

Albert Bierstadt, Buffalo Hunt, 1860. Oil on canvas, Private Collection, image courtesy of Gerald Peters Gallery, Santa Fe, New Mexico.

Our guest is Laura Fry, the Senior Curator and Curator of Art at Gilcrease Museum here in Tulsa. She is also one of the curators of a striking new show at that museum, which she tells us about. Per the Gilcrease website: "Gilcrease Museum and the Buffalo Bill Center of the West in Cody, Wyoming, have partnered to present the groundbreaking exhibition 'Albert Bierstadt: Witness to a Changing West.' Albert Bierstadt (1830–1902) is best known as one of America's premier western landscape artists.

Photo by Steve Clem

The Sand Springs Cultural & Historical Museum is presenting the artwork of the late Louisiana Cajun painter, George Rodrigue. Rodrigue is best known for his "blue dog" paintings, which he created over the last two decades of his life, but throughout his career, he painted numerous images depicting the people and places of his south Louisiana home. 

On this edition of StudioTulsa, we get to know Ricco Wright, who owns and operates the nonprofit Black Wall Street Gallery, a recently created art space on Greenwood Avenue. After Wright graduated from Union High School, he studied mathematics as a Bill Gates Scholar at Langston University. Thereafter he earned a doctorate in math at Columbia University, after which he lived and worked in New York City for a decade. As Wright tells us, his own passion for the arts -- visual, musical, verbal, and otherwise -- flourished considerably while he was based in NYC.

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