Search results for

Forbes magazine is out with its yearly list of the 400 richest Americans. Their combined net worth increased 13 percent since last year. The top of the list contains the usual suspects: Bill Gates, Warren Buffett, Larry Ellison, the Koch brothers and the children of Wal-Mart founder Sam Walton.

NPR's Robert Siegel sits down with Oscar Paz Suaznabar, who has played at Carnegie Hall, the Kennedy Center and on the NPR show From The Top.

The movie took in more than half a billion dollars worldwide and could become the top-grossing film in history.

Priced at just over $300, the F-150 Power Wheels truck is 4 feet long, seats up to two children and boasts a top speed of 5 miles per hour. It's battery operated.

The newly released "positive experience index" of 138 countries finds that people in Paraguay had the rosiest outlook (again). The U.S. made the top 20 in the annual Gallup index.

Foley and business partner Neil Rabens invented the game — which they originally wanted to call Pretzel — for Milton Bradley in 1966. Twister is now manufactured by Hasbro, and the company says it remains a top seller.

Fresh Air's resident rock historian remembers soul singer Lorraine Ellison, who recorded a handful of albums and dozens of singles in the '60s and '70s; though she charted a few R&B hits, she never quite broke through to stardom. Her biggest success was with the string-saturated ballad "Stay With Me," which topped out at No. 11 on the R&B charts and has since been covered by everyone from Bette Midler to teenybopper idol Rex Smith.

For America's daily papers, the news hasn't been good: For nearly two decades, newspapers have been losing paid subscribers. And a new report illustrates that circulation is now dropping more quickly than ever.

The Black Eyed Peas are on a roll. They are out on tour supporting a CD that is near the top of the Billboard Album Charts. Monkey Business is the group's second release to win them fans nationwide.

In 1959, jazz pianist Dave Brubeck topped the pop charts and shook up the notion of rhythm in jazz with an odd-metered song called "Take Five." On the occasion of its golden anniversary and a new reissue of Time Out, Brubeck explains why it was such a hit.